ABUSE FORM
Steffen Schleiermacher – Ensemble Music (2008)
Posted By :
d'Avignon
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Date :
06 Feb 2012 00:15:46
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Comments :
9
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Steffen Schleiermacher – Ensemble Music (2008)
Classical/Avant-garde | FLAC lossless | cuesheets+log | covers+booklet | 1h16m | 281mb
Label: MDG | cat. no. MDG 613 1413-2
Powerful work from Steffen Schleiermacher. The mood here – especially in the first track, “Auto Werk mit Hup Raum” - is very different from his piano compositions I posted the other day.
Call it industrial; the sandpaper cover art gives it away already.
Tracks:
01. Auto Werk mit Hup Raum for ensemble and tape [0:19:48.08]
02. Obophon for six oboes [0:15:40.08]
03. Three Pieces for Viola and Bass Clarinet - I. Streit Fall [0:02:53.35]
04. Three Pieces for Viola and Bass Clarinet - II. Hoch Zeit [0:02:41.32]
05. Three Pieces for Viola and Bass Clarinet - III. Schei-dung [0:02:04.74]
06. Merseburger Ouverture mit F.L. for organ [0:15:18.60]
07. Netz Werk for ensemble and tape [0:17:56.57]
Performers:
Sachsisches Blechblaserensemble (tr. 01):
Gert Fischer, Alexander Pfeiffer, Phillip Lohse – trumpets
Tino Balk, Thomas Schulze, Hans-Dieter Frenzel — french horns
Falk Meyer, Uwe Gebel, Tobias Hasselt - trombones
Steffen Schleiermacher - sampler
Bernd E. Gengelbach - tapes
Noriko Kitamura - solo oboe (tr. 02)
Annelie Schwanebeck, Robert Matthes, Christian Leschowski, Minyonng Lee and Sandra Klein - oboe/english horn
Dorothea Hemken – viola (tr. 03-05)
Volker Hemken — bass clarinet
Michael Schanheit - organ (tr. 06)
Ensemble Avantgarde (tr. 07):
Ralf Mielke - flute
Undine Rohner-Stolle - oboe
Matthias Kreher - clarinet
Bernd Bartels - trumpet
Jochen Pless — french horn
Tobias Hasselt - trombone
Steffen Schleiermacher - piano
Stefan Stopora - vibes
Winfried Nitzsche - percussion
Thomas Schicke — double bass
Bernd E. Gengelbach — tapes
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Instrumental in Schleiermacher's development as a composer was the music of Gesualdo, Bartók, Varèse and Feldman, as well as Indonesian gamelan and traditional Japanese temple music. Unmediated extremes employing a full range of traditional instrumental sounds are characteristic of his works. Every resolution proves to be a fallacy, however, as repetition turns to farce, traditional perspectives dissolve and central objectives disappear. A number of compositions reflect stories from Greek mythology or the inspiration of personal experience.