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Coldplay - Parachutes (Parlophone UK LP) 24-bit/96kHz Vinyl Rip plus Redbook CD Version
Posted By :
Dr. Robert
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Date :
10 Nov 2009 16:44:00
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Comments :
43
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Coldplay - Parachutes
EMI Parlophone 5277831 LP
Vinyl rip in 24-bit/96kHz plus Redbook CD version | FLAC |
No Cue or Log (vinyl) | Full HQ LP Artwork
850 MB (24/96) + 260 MB (RB) | RS + Hot File | Alt-Rock | 2000
EMI Parlophone 5277831 LP
Vinyl rip in 24-bit/96kHz plus Redbook CD version | FLAC |
No Cue or Log (vinyl) | Full HQ LP Artwork
850 MB (24/96) + 260 MB (RB) | RS + Hot File | Alt-Rock | 2000
Parachutes is the debut album by English alternative rock band Coldplay, released by the record label Parlophone on 10 July 2000 in the United Kingdom. The album was produced by the band and British record producer Ken Nelson, excluding one track which was produced by Chris Allison. Parachutes has spawned the hit singles "Shiver", "Yellow", and "Trouble".
The album was generally both a critical and commercial success. Upon release, the album quickly reached number one in the United Kingdom, and has since been certified seven-time platinum. In the United States, the album peaked at number 51 on the Billboard 200, and has since been certified two-time platinum. It won the Grammy Award for Best Alternative Music Album in 2002, and has earned the band various accolades since its release. Parachutes is number 12 on the list of the 20 biggest-selling albums of the 21st century in the United Kingdom. The album won Best British Album at the 2001 Brit Awards.
Parachutes was critically acclaimed in Europe. Michael Hubbard of MusicOMH noted that it is an album of "remarkable depth, especially when one considers the youthful ages of the band members" while The Guardian newspaper described the album as "one of the year's most uplifting albums", adding that it features "elegant songs, classic guitars and gorgeous singing". The album also received generally positive reviews among international critics. A review in Billboard magazine claims that Parachutes "brings nothing new to the table", writing that its "musical reference points are immediately recognizable and difficult to overlook". Despite this, the review adds, "Coldplay seems talented enough to transcend this early identity crisis", referring to them as a newly-introduced band in the United States. Matt Diehl of Rolling Stone magazine said that the album "ultimately rises above its influences to become a work of real transcendence". MacKenzie Wilson of Allmusic commented that it introduces the band as "young musicians still honing their sweet harmonies", adding, "Parachutes deserved the accolades it received because it followed the general rule when introducing decent pop songs: keep the emotion genuine and real."
The album was generally both a critical and commercial success. Upon release, the album quickly reached number one in the United Kingdom, and has since been certified seven-time platinum. In the United States, the album peaked at number 51 on the Billboard 200, and has since been certified two-time platinum. It won the Grammy Award for Best Alternative Music Album in 2002, and has earned the band various accolades since its release. Parachutes is number 12 on the list of the 20 biggest-selling albums of the 21st century in the United Kingdom. The album won Best British Album at the 2001 Brit Awards.
Parachutes was critically acclaimed in Europe. Michael Hubbard of MusicOMH noted that it is an album of "remarkable depth, especially when one considers the youthful ages of the band members" while The Guardian newspaper described the album as "one of the year's most uplifting albums", adding that it features "elegant songs, classic guitars and gorgeous singing". The album also received generally positive reviews among international critics. A review in Billboard magazine claims that Parachutes "brings nothing new to the table", writing that its "musical reference points are immediately recognizable and difficult to overlook". Despite this, the review adds, "Coldplay seems talented enough to transcend this early identity crisis", referring to them as a newly-introduced band in the United States. Matt Diehl of Rolling Stone magazine said that the album "ultimately rises above its influences to become a work of real transcendence". MacKenzie Wilson of Allmusic commented that it introduces the band as "young musicians still honing their sweet harmonies", adding, "Parachutes deserved the accolades it received because it followed the general rule when introducing decent pop songs: keep the emotion genuine and real."
Track Llisting
1. "Don't Panic" – 2:17
2. "Shiver" – 4:59
3. "Spies" – 5:18
4. "Sparks" – 3:47
5. "Yellow" – 4:29
6. "Trouble" – 4:30
7. "Parachutes" – 0:46
8. "High Speed" – 4:14
9. "We Never Change" – 4:09
10. "Everything's Not Lost" – 7:15
11. "Life Is for Living" – 1:36 (hidden song on CD)
1. "Don't Panic" – 2:17
2. "Shiver" – 4:59
3. "Spies" – 5:18
4. "Sparks" – 3:47
5. "Yellow" – 4:29
6. "Trouble" – 4:30
7. "Parachutes" – 0:46
8. "High Speed" – 4:14
9. "We Never Change" – 4:09
10. "Everything's Not Lost" – 7:15
11. "Life Is for Living" – 1:36 (hidden song on CD)
Links: (24-bit/96kHz) (RS.com) Part 1 | Part 2 | Part 3 | Part 4 | Part 5
Links: (24-bit/96kHz) (Hot File) Part 1 | Part 2 | Part 3 | Part 4 | Part 5
Links: (16-bit/44.1kHz) (RS.com) Part 1 | Part 2 -------- (Hot File) Part 1 | Part 2
The files are interchangeable!!!
Password:
hotvinyl
If you discover any dead links in any of my posts,
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Links: (24-bit/96kHz) (Hot File) Part 1 | Part 2 | Part 3 | Part 4 | Part 5
Links: (16-bit/44.1kHz) (RS.com) Part 1 | Part 2 -------- (Hot File) Part 1 | Part 2
The files are interchangeable!!!
Password:
hotvinyl
If you discover any dead links in any of my posts,
Please Send Me a Private Message !!!!
DO NOT post COMMENTS about DEAD LINKS
Please no mirrors and/or direct links in your comments !!!!
Please Do Not Feed The Trolls
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Thank you so much!
Good choose!
It's strangely disappeared for a while..
If you have also "A Rush of Blood to the Head" please go straight with that!
I have Rush of Blood and X & Y. Both will be posted soon.
I have the first three Coldplay LP's up to X&Y. I am working on "A Rush of Blood to The Head" now and should have it posted by some time tomorrow. I need to buy Viva la Vida, I have another's rip of Viva la Vida, but it is far from perfect.
I heard your "MFSL Buster" rip of Breafast In America. Your rip is great, but I still like the smiley face EQ'd sound of my MFSL. But you have shown that I need not turn my nose up at regular issues. I have recently bought a number of original issue LP's when no audiophile version exists or are over priced. You provide a great education to all with your releases.
I have over 800 vinyl albums and cannot tell the difference between all your rips.Awesome work guys :-))))
I would luv to rip some of my collection,but do have the quality equipment you guys have:-(((
****I would like to make a request for some older David Bowie if possible.
Excellent..keep up the awesome work.I'm luv'em them.
Thnx a million
really brings out the emotion of that song, felt like I was listening to it for the first time.
'High Speed" and 'we never change' simply incredible warmth and depth, definetly hearing things
I never heard on the cd or in a way I've never heard anyways.
I have a request for any of you Vinyl rippers out there who might be interested
I'd love to hear a hi rez vinyl rip of the Album 'Roll Away" by Backdoor Slam.
Here's a mp3 320 sample of a song of the album title here.
http://rghost.net/601952
PS, does Doc love Radiohead? I'm really looking forward to seeing Doc make a vinyl rip of OK Computer!!! :D
Excellent rip man: a pleasure to my ears! Thanks Doc!
If possible I have a request for the gang of vinyl rippers (if possible): Mike Oldfield's "Tubular Bells" (the first one). I have an
original vinyl copy but is pretty much worn down :(
I have a question to ask hope someone can answer:
I'm using Jukebox media as my player, can it play 24/96?
Is there any sound difference bet. 24/96 & 16/44 rip when I use this player?
I found this discussion on playing 24/96 music in Media Jukebox
http://yabb.jriver.com/interact/index.php?topic=51614.0
As to whether you can here the difference between 34/96 and 16/44 that depends on your playback equipment and ears. I suggest downloading a few of your favorite albums in both formats. Parachutes was digitally recorded and mastered so I would also suggest you download an older pre-1980 album to see if you experience that "analog" sound with either format.
I get best sound playing music with AIMP2.
At my computer I can hear diference, with this player.
http://www.aimp.ru/
I was searching and searchin' for a coldplay vinyl rip, and I was exctactly thinking how great Parachutes would sound on 24/96 vinyl sound.
You are the man Doc. Robert!, really THANK YOU!!!!
I have to say I love this band (I have all albums).
once again, you made my day Doc!
Now, I will just make a request , speacially because of Coldplay:
If you Doc.R. or someone else from the Vinyl Ripper Team has one or more Coldplay vinyl records, can you upload them please?
You will make the happiest man of the world.
Thank you! ;-)
Chris voice is... perfect.
For the first time, I'm listening true Berryman's Bass
Yellow is fantastic, it sounds smoothier and there's a big diference comparing with cd.
I'm even discovering second voices, soundclips or effects never heared on compact disc.
BEAUTIFUL.
@ JustPlay
thanks for your replies guys
Is excellent!!
Of course, another excellent post from the docta!
I have never burned this to disc. I listen only to the HiRes in iTunes. But after two years I am surprise no one else has mentioned any problem. Surely you are not the first to try to burn this rip to disc.
Thanks for your reply. I assumed others had come across it but maybe no one had noticed or made the effort to mention. Anyway, after a reburn lo and behold the sound is gone so I can be assured that it was not your flawless rip! I am still at odds with why, when the flac file itself is played by an application (VLC, mediamonkey, and my ripping utility), it simply skips over the silence at the end of the track. It bears no effect for me but it is just strange that all three might interpret the silence as "unnecessary." Do you convert to AIFF for iTunes?