Eric Clapton - Just One Night - MFSL

Mobile Fidelity Sound Lab has been the undisputed pioneer and leader in audiophile recordings since the company's inception in 1977. Established by dedicated audiophiles, Mobile Fidelity's first and foremost goal was to offer faithfully reproduced high fidelity recordings that would compliment the numerous advances occurring in audio delivery systems. Throughout its history, Mobile Fidelity has remained true to this goal, pioneering state-of-the-art technologies and setting audiophile standards that remain in place today.

In response to rapid advancements in both recording formats and audio delivery systems over the past several years, Mobile Fidelity has maintained its ongoing commitment to improving industry standards. This has resulted in the introduction of numerous innovations in the audiophile arena: half-speed mastered Original Master Recording™ LPs, Ultra High Quality Records™ (UHQRs), high fidelity cassettes, consumer alignment devices for phono cartridges and audio cassette decks, Original Master Recording™ compact discs, the 24-karat gold plated Ultradisc™ CD and the Ultradisc™ Ultra High Resolution™ (UHR). To this day the independently owned firm continues its commitment to exceeding industry standards.

This is a true Collector’s find for those individuals who want to own the finest and rarest pieces of musical history. It is similar to owning the artist’s own Rare Gold Record Album in a Gold CD pressing. You will be one of the last people in the world to own these Limited Edition Long Out of Print Masterpieces that will add true value to your Collection.

MFSL LIMITED GOLD EDITION. This 24-Karat Gold Limited Edition is an audiophile collectors item that simply gives the feeling of being directly in the studio with the artist.



This recording is mastered from the Original Session Tapes and the disc is custom pressed using 24-Karat Gold (known for its superior qualities and resistance to oxidation). This Out of Print Gold bonafide collectible disc has all Liner Notes, Photos, and Artwork from the Original LP faithfully recreated.



A SONIC WORK OF ART. These Out of Print gems are the Ferrari of the audiophile CD market. Many over the last year have doubled or tripled in value. The future of these collectibles is so exciting because each piece is a sonic work of art that will never be reproduced using this expensive 24-Karat Gold mastering process. You will be one of only a few thousand in the world owning this audiophile classic.




Biography by William Ruhlmann

By the time Eric Clapton launched his solo career with the release of his self-titled debut album in mid-1970, he was long established as one of the world's major rock stars due to his group affiliations -- the Yardbirds, John Mayall's Bluesbreakers, Cream, and Blind Faith -- affiliations that had demonstrated his claim to being the best rock guitarist of his generation. That it took Clapton so long to go out on his own, however, was evidence of a degree of reticence unusual for one of his stature. And his debut album, though it spawned the Top 40 hit "After Midnight," was typical of his self-effacing approach: it was, in effect, an album by the group he had lately been featured in, Delaney & Bonnie & Friends.

Not surprisingly, before his solo debut had even been released, Clapton had retreated from his solo stance, assembling from the D&B&F ranks the personnel for a group, Derek and the Dominos, with which he played for most of 1970. Clapton was largely inactive in 1971 and 1972, due to heroin addiction, but he performed a comeback concert at the Rainbow Theatre in London on January 13, 1973, resulting in the album Eric Clapton's Rainbow Concert (September 1973).

But Clapton did not launch a sustained solo career until July 1974, when he released 461 Ocean Boulevard, which topped the charts and spawned the number one single "I Shot the Sheriff."

The persona Clapton established over the next decade was less that of guitar hero than arena rock star with a weakness for ballads. The follow-ups to 461 Ocean Boulevard, There's One in Every Crowd (March 1975), the live E.C. Was Here (August 1975), and No Reason to Cry (August 1976), were less successful. But Slowhand (November 1977), which featured both the powerful "Cocaine" (written by JJ Cale, who had also written "After Midnight") and the hit singles "Lay Down Sally" and "Wonderful Tonight," was a million-seller. Its follow-ups, Backless (November 1978), featuring the Top Ten hit "Promises," the live Just One Night (April 1980), and Another Ticket (February 1981), featuring the Top Ten hit "I Can't Stand It," were all big sellers.

Clapton's popularity waned somewhat in the first half of the '80s, as the albums Money and Cigarettes (February 1983), Behind the Sun (March 1985), and August (November 1986) indicated a certain career stasis. But he was buoyed up by the release of the box set retrospective Crossroads (April 1988), which seemed to remind his fans of how great he was. Journeyman (November 1989) was a return to form.

It would be his last new studio album for nearly five years, though in the interim he would suffer greatly and enjoy surprising triumph. On March 20, 1991, Clapton's four-year-old son was killed in a fall. While he mourned, he released a live album, 24 Nights (October 1991), culled from his annual concert series at the Royal Albert Hall in London, and prepared a movie soundtrack, Rush (January 1992). The soundtrack featured a song written for his son, "Tears in Heaven," that became a massive hit single.

In March 1992, Clapton recorded a concert for MTV Unplugged that, when released on an album in August, became his biggest-selling record ever. Two years later, Clapton returned with a blues album, From the Cradle, which became one of his most successful albums, both commercially and critically. Crossroads 2: Live in the '70s, a box set chronicling his live work from the '70s, was released to mixed reviews. In early 1997, Clapton, billing himself by the pseudonym "x-sample," collaborated with keyboardist/producer Simon Climie as the ambient new age and trip-hop duo T.D.F. The duo released Retail Therapy to mixed reviews in early 1997.

Clapton retained Climie as his collaborator for Pilgrim, his first album of new material since 1989's Journeyman. Pilgrim was greeted with decidedly mixed reviews upon its spring 1998 release, but the album debuted at number four and stayed in the Top 10 for several weeks on the success of the single "My Father's Eyes." In 2000, Clapton teamed up with old friend BB King on Riding With the King, a set of blues standards and material from contemporary singer/songwriters. Another solo outing entitled Reptile followed in early 2001. Three years later, Clapton issued Me and Mr. Johnson, a collection of tunes honoring the Mississippi-born bluesman Robert Johnson. 2005's Back Home, Clapton's 14th album of original material, reflected his ease with fatherhood.




Review by Stephen Thomas Erlewine

Although Eric Clapton has released a bevy of live albums, none of them have ever quite captured the guitarist's raw energy and dazzling virtuosity. The double live album Just One Night may have gotten closer to that elusive goal than most of its predecessors, but it is still lacking in many ways. The most notable difference between Just One Night and Clapton's other live albums is his backing band. Led by guitarist Albert Lee, the group is a collective of accomplished professionals who have managed to keep some grit in their playing. They help push Clapton along, forcing him to spit out crackling solos throughout the album. However, the performances aren't consistent on Just One Night -- there are plenty of dynamic moments like "Double Trouble" and "Rambling on My Mind," but they are weighed down by pedestrian renditions of songs like "All Our Past Times." Nevertheless, more than any other Clapton live album, Just One Night suggests the guitarist's in-concert potential. It's just too bad that the recording didn't occur on a night when he did fulfill all of that potential.

Credits:
Waring Abbott Photography
Jon Astley Producer, Engineer, Mixing
Dave Brown Photography
Philip Chapman Mixing
Eric Clapton Guitar, Arranger, Vocals, Producer
David Corio Photography
Koichiro Hiki Photography
Larry Hulst Photography
Albert Lee Guitar, Keyboards, Vocals, Performer
Dave Markee Bass, Guitar (Bass)
Joseph M. Palmaccio Digital Remastering
Henry Spinetti Drums
Chris Stainton Keyboards
David Stewart Art Direction, Cover Design


Release Date: Apr 1980
Recording Date: Dec 1979
Label: Polydor
Time: 88:47
Type: Live
Genre: Rock


Track List:

CD1:
01. Tulsa Time
02. Early In The Morning
03. Lay Down Sally
04. Wonderful Tonight
05. If I Don't Be There By Morning
06. Worried Life Blues
07. All Our Past Times
08. After Midnight

CD2:
01. Double Trouble
02. Setting Me Up
03. Blues Power
04. Rambling On My Mind
05. Cocaine
06. Further On Up The Road


Listening! You can hear a difference! Enjoy it!


DOWNLOAD RAPIDSHARE LINKS (no covers included), rar files (You need FEURIO,NERO, Alcohol or EAC to burn image files to music CD; load CUE file):


RapidGet Friendly Links:

CD1:
http://rapidshare.de/files/29527218/ECJON1.part1.rar.html
http://rapidshare.de/files/29549412/ECJON1.part2.rar.html
http://rapidshare.de/files/29553408/ECJON1.part3.rar.html
http://rapidshare.de/files/29555143/ECJON1.part4.rar.html

CD2:
http://rapidshare.de/files/29672665/ECJON2.part1.rar.html
http://rapidshare.de/files/29681506/ECJON2.part2.rar.html
http://rapidshare.de/files/29685733/ECJON2.part3.rar.html
http://rapidshare.de/files/29686114/ECJON2.part4.rar.html

password: Who's ya daddy?

A few Cover Pictures i found
http://rapidshare.de/files/30113250/ECJON1.zip.html