Little Feat - Dixie Chicken (1973) repost

Little Feat wasn't conceived as a straight-ahead blues-rock group. Its founding members, Lowell George (vocals, guitar, slide guitar) and Roy Estrada (bass), were veterans of Frank Zappa's Mothers of Invention. George had a long musical career before joining the Mothers. As a child, he and his brother Hampton performed a harmonica duet on television's Ted Mack's Original Amateur Hour. During high school, he learned how to play flute, which led to him appearing as an oboist and baritone saxophonist on several Frank Sinatra recording sessions. He formed the folk-rock group the Factory with drummer Richard Hayward in 1965. Before disbanding, the Factory made some recordings for Uni Records, but the tapes sat unreleased until the 1990s. Following the group's demise, George joined the Mothers of Invention, where he met Estrada. Zappa convinced George to form his own band after hearing "Willin'," but the guitarist was reluctant to begin a band until he participated in a brief Standells reunion.

George and Estrada formed Little Feat in 1969 with Hayward and keyboardist Billy Payne. Neither its eponymous first album in 1971 nor 1972's Sailin' Shoes were commercial successes, despite strong reviews. As a result, the group temporarily disbanded, with Estrada leaving music to become a computer programmer. When the group reconvened later in 1972, he was replaced by New Orleans musician Kenny Gradney. In its second incarnation, Little Feat also featured guitarist Paul Barrére and percussionist Sam Clayton, who gave the music a funkier feeling, as demonstrated by 1973's Dixie Chicken. The band toured heavily behind the record, building a strong following in the South and on the East Coast. Nevertheless, the group remained centered in Los Angeles, since the members did a lot of session work on the side. (AMG)



Following Roy Estrada's departure during the supporting tour for Sailin' Shoes, Lowell George became infatuated with New Orleans R&B and mellow jamming, all of which came to a head on their third album, 1973's Dixie Chicken. Although George is firmly in charge - he dominates the record, writing or co-writing seven of the 10 songs - this is the point where Little Feat found its signature sound as a band, and no album they would cut from this point on was too different from this seductive, laid-back, funky record. But no album would be quite as good, either, since Dixie Chicken still had much of the charming lyrical eccentricities of the first two albums, plus what is arguably George's best-ever set of songs. Partially due to the New Orleans infatuation, the album holds together better than Sailin' Shoes and George takes full advantage of the band's increased musical palette, writing songs that sound easy but are quite sophisticated, such as the rolling "Two Trains," the gorgeous, shimmering "Juliette," the deeply soulful and funny "Fat Man in the Bathtub" and the country-funk of the title track, which was covered nearly as frequently as "Willin'." In addition to "Walkin' All Night," a loose bluesy jam by Barrere and Bill Payne, the band also hauls out two covers which fit George's vibe perfectly: Allan Toussaint's slow burner "On Your Way Down" and "Fool Yourself," which was written by Fred Tackett, who later joined a reunited Feat in the '80s. It all adds up to a nearly irresistible record, filled with great songwriting, sultry grooves, and virtuosic performances that never are flashy. Little Feat, along with many jam bands that followed, tried to top this album, but they never managed to make a record this understated, appealing and fine.



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