ABUSE FORM
Capercaillie - Crosswinds (1987)
Posted By :
xmolex
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Date :
23 Nov 2009 17:52:18
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Comments :
2
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Capercaillie - Crosswinds (1987) (Lossless)
Catalog GLCD 1077 | EAC Rip | FLAC+CUE+LOG | 44:45 | 240 Mb | No Art
Celtic Fusion, Worldbeat, Adult Alternative, Folk
Catalog GLCD 1077 | EAC Rip | FLAC+CUE+LOG | 44:45 | 240 Mb | No Art
Celtic Fusion, Worldbeat, Adult Alternative, Folk
Tracklist:
01 Puirt A Beul / Snug In A Blanket
02 Soraidh Bhuam Gu Barraidh
03 Glen Orchy / Rory MacLeod
04 Am Buachaille Ban
05 The Haggis
06 Brenda Stubbert's Set
07 Ma Theid Mise Tuilleagh
08 David Glen's
09 Urnaigh A 'Bhan-Thigreach
10 My Laggan Love / Fox On The Town
11 An Ribhinn Donn
| “ | The instrumental part of Capercaillie album "Crosswinds" is the kind of old-fashioned records that are typical of the beginnings of many celtic bands - Clannad is a good example. But "Crosswinds" is also a not-to-miss album for the vocal part - because it is blessed by five of the most outstanding solo performances in Gaelic language from the lead vocal of the Capercaillie band, Scottish singer Karen Matheson. You will fall in love with the soprano-like "Soraidh Bhuam Gu Barraidh", the airy "Am Buachaille Ban", the soulful and sweet "Ma Theid Mise Tuilleagh", the solemn "Urnaigh A 'bhan Thigreach" and the celestial "An Ribhinn Donn". If you like soulful voices with a lyric and limpid richness of tone and a strong ability to illuminate the accents and sonorities of their native language - like Portuguese performer Cristina Branco - the superior voice of Karen Matheson will be with you forever. | ” |
Review, amazon.co.uk
| “ | On the band's debut album, you can hear Capercaillie mapping out what would become its signature sound -- a musical style built on a deep foundation of Celtic tradition but incorporating modern technology and dance-oriented rhythms. It's a fusion that makes purist folkies cringe, but Capercaillie has achieved significant success with it. Crosswinds is more traditional than the band's later efforts; although synthesized keyboards and distinctly non-Celtic percussion are used throughout, the album is dominated by sets of traditional dance tunes and songs like "My Lagan Love." If there's a complaint to be made at all, it's that the lustrous voice of Karen Matheson is too rarely placed front and center. She opens the album with a lovely piece of puirt a beul (a rhythmic singing style used in Scotland to accompany dancing), and practically steals the show with her rendition of the gorgeous "Soraidh Bhuam Gu Barraidh." The instrumentals are also excellent, but not quite as distinctive as her singing -- strangely, the funk basslines that play such an important part in Capercaillie's musical strategy are kept far back in the mix. | ” |
Review, allmusic.com
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