Cannonball Adderley - Cannonball Takes Charge (1959) [2002, Capitol Jazz 7243 5 34071 2 4]

Posted By : v3122 | Date : 02 Oct 2010 09:48:36 | Comments : 6 |

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Unquestionably, the best album under Cannonball's name. The quintet/sextet albums are mostly geared to a more pop market and contain much "packaged" soul and funk, while the dates Cannonball shared with Miles, Bags, Bill Evans, Coltrane, and Gil Evans often find him deferring to or competing against musical temperaments not wholly sympathetic with his own. But with no other horn to share the solo space and a grooving accompanist like Wynton Kelley, Cannonball indeed "takes charge," having his ebullient, inventive way with a varied program of show tunes ("If This Isn't Love)," soul tunes ("Barefoot Sunday Blues"), jazz standards ("I Remember You") and sentimental old favorites ("Poor Butterfly"). And the photo of Cannonball on the front cover of this Riverside classic is as good as any I've seen of this masterful musician. For the sake of jazz fans, saxophonists, and collectors everywhere, let's hope this one remains in circulation, digitally remastered or not (Cannonball's musical mastery is sufficient in itself).

~ Samuel Chell, Amazon Review

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Cannonball Adderley:

One of the great alto saxophonists, Cannonball Adderley had an exuberant and happy sound that communicated immediately to listeners. His intelligent presentation of his music (often explaining what he and his musicians were going to play) helped make him one of the most popular of all jazzmen.

Adderley already had an established career as a high school band director in Florida when, during a 1955 visit to New York, he was persuaded to sit in with Oscar Pettiford's group at the Cafe Bohemia. His playing created such a sensation that he was soon signed to Savoy and persuaded to play jazz full-time in New York. With his younger brother, cornetist Nat, Cannonball formed a quintet that struggled until its breakup in 1957. Adderley then joined Miles Davis, forming part of his super sextet with John Coltrane and participating on such classic recordings as Milestones and Kind of Blue. Adderley's second attempt to form a quintet with his brother was much more successful for, in 1959, with pianist Bobby Timmons, he had a hit recording of "This Here." From then on, Cannonball always was able to work steadily with his band.

During its Riverside years (1959-1963), the Adderley Quintet primarily played soulful renditions of hard bop and Cannonball really excelled in the straight-ahead settings. During 1962-1963, Yusef Lateef made the group a sextet and pianist Joe Zawinul was an important new member. The collapse of Riverside resulted in Adderley signing with Capitol and his recordings became gradually more commercial. Charles Lloyd was in Lateef's place for a year (with less success) and then with his departure the group went back to being a quintet. Zawinul's 1966 composition "Mercy, Mercy, Mercy" was a huge hit for the group, Adderley started doubling on soprano, and the quintet's later recordings emphasized long melody statements, funky rhythms, and electronics. However, during his last year, Cannonball Adderley was revisiting the past a bit and on Phenix he recorded new versions of many of his earlier numbers. But before he could evolve his music any further, Cannonball Adderley died suddenly from a stroke.

~ Scott Yanow, All Music Guide

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Tracklist:

1. "If This Isn't Love" (E.Y. "Yip" Harburg, Burton Lane) - 5:32
2. "I Guess I'll Hang My Tears out to Dry" (Sammy Cahn, Jule Styne) - 5:34
3. "Serenata" (Leroy Anderson) - 4:16
4. "I've Told Ev'ry Little Star" (Oscar Hammerstein II, Jerome Kern) - 3:39
5. "Barefoot Sunday Blues" - 7:03
6. "Poor Butterfly" (John Golden, Raymond Hubbell) - 5:10
7. "I Remember You" (Johnny Mercer, Victor Schertzinger) - 6:55
8. "Barefoot Sunday Blues" [alternate take] - 7:48 Bonus track on CD
9. "I Remember You" [alternate take] (Mercer, Schertzinger) - 6:52 Bonus track on CD

Personnel:

Cannonball Adderley (alto saxophone)
Wynton Kelly (piano)
Paul Chambers, Percy Heath (bass)
Jimmy Cobb, Albert "Tootie" Heath (drums)