Marillion - Misplaced Childhood (1985)

"Misplaced Childhood" is seen by many as the definitive Marillion album, and it is hard to argue. The music is stylistically typical of their first three albums and has far fewer flat spots than Fugazi. It also contains that most unproglike of beasts, a hit single. The infectious "Kayleigh" reached number 2 on the British charts. A great album - Have fun!

Track Listings

1. Pseudo Silk Kimono
2. Kayleigh
3. Lavender
4. Bitter Suite/Brief Encounter/Lost Weekend/Blue Angel
5. Heart of Lothian/Wide Boy/Curtain Call
6. Waterhole [Expresso Bongo]
7. Lords of the Backstage
8. Blind Curve/Vocal Under a Bloodkight/Pssing ...
9. Childhood's End?
10. White Feather




Review by John Franck

After the album-tour-album cycle of Script for a Jester's Tear, Fugazi, and the subsequent Euro-only release of Real to Reel, Marillion retreated to Berlin's Hansa Ton Studios with Rolling Stones producer Chris Kimsey to work on their next opus.
Armed with a handful of lyrics born out of a self-confessed acid trip, Fish came up with the elaborate concept for 1985's Misplaced Childhood. Touching upon his early childhood experiences and his inability to deal with a slew of bad breakups exacerbated by a never-ending series of rock star-type "indulgences," Misplaced Childhood would prove to be not only the band's most accomplished release to date, but also its most streamlined.

Initial record company skepticism over the band's decision to forge ahead with a '70s-style prog rock opus split into two halves (sides one and two) quickly evaporated as Marillion delivered its two most commercial singles ever: "Kayleigh" and "Lavender."
With its lush production and punchy mix, the album went on to become the band's greatest commercial triumph, especially in Europe where they would rise from theater attraction to bona fide stadium royalty. The subsequent U.S. success of "Kayleigh" would also see Marillion returning to the States for a difficult tour as Rush's support act.




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