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2004 release from the French pop singer, recorded in Los Angeles. Includes appearances by Michel Mallory & Didier Barbelivien.

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This collection contains a lot of covers of British and American songs translated into French, including What'd I say (Ray Charles), Bye bye love (Everly brothers), The locomotion (Little Eva), Rhythm of the rain, So long baby (Del Shannon), My whole world is falling down, The game of love (Wayne Fontana), Pretty woman (Roy Orbison), Sloop John B (Beach boys) and I can't help myself (Four tops). There are also plenty of original songs, but this is not an album to get deeply serious about. It is sixties pop at its most lightweight.

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22 chansons et près d’une heure et demie de musique : le moins que l’on puisse reconnaître à la native de Portneuf (Québec) reste qu’elle ne rechigne pas à la tache, et que si elle vend toujours autant de disques (150 000 copies de Allo C’est Moi, précédente livraison), c’est bien sur scène que la créatrice de « Ne t’en va pas » s’épanouit, et enthousiasme. Cela tombe bien, car la vie de tournée, Lynda Lemay y mord à pleines dents depuis plusieurs mois, enchaînant avec semblable passion prestations en France, Belgique, et Québec.

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UK edition of the 2007 album from the R&B star includes two bonus tracks: '1 Thing' and 'Losing U'. As a whole, Because I Love It, Amerie's third album, unapologetically falls into no particular box. There are many elements ('70s soul, '80s New Wave, Hip Hop, live instrumentation), yet the sound is remarkably consistent throughout and makes complete sense. Although the musical inspiration is broad, the arrangement of the material is signature Amerie: strong, aggressive vocals, beautiful melodies, and lush harmonies.

Sissel has one of the most beautiful voices in the world today. She is classically trained, but her music has a broad appeal and a grabbing passion. She is the voice of Titanic soundtrack and has sold over 30 million albums. She sang for a global audience of billions at the opening of the 1994 olympics! "All Good Things" is Sissel's best album to date, featuring original compositions of power and beauty. Excellent production all around.

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Computer World (German: Computerwelt) is the eighth studio album by German electronic music band Kraftwerk, released in May 1981. The album deals with the themes of the rise of computers within society. Critics see this album as a peak in the career of Kraftwerk, along with Autobahn and Trans-Europe Express. The compositions are credited to Ralf Hütter, Florian Schneider, and Karl Bartos. The sound of the album is more reliant on purely electronics and vocals...

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Jennifer Rush (The Power Of Love - International Version) is the debut album by American singer Jennifer Rush. Based In Germany, Rush teamed up with producers Candy DeRouge and Gunther Mende and released the first two singles from this album; "Into My Dreams" and "Come Give Me Your Hand" in 1983. It was in 1984 however that she found her first success with the hit "25 Lovers". This was followed by "Ring of Ice" and then with the song she would become famous the world over for - "The Power of Love"...

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"Shame" is a song by Robbie Williams and Gary Barlow, taken from Williams' second greatest hits collection, "In and Out of Consciousness". It will be released as the lead single from the album on 4 October 2010 by Virgin Records. The single also marks the first time that both Barlow and Williams have performed together on a track since the latter left Take That in 1995.

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Career spanning collection of Dalida's best hits. 22 songs in different styles and languages.

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Time glowingly demonstrates Lionel Richie's ability to write and sing socially relevant tracks. However, much of the luster from his mid-'80s heyday is woefully absent. Perhaps it's the album's darker thematic hue that robs the project of the once-familiar Richie magic. "Zoomin'" is a melancholy-laced track that addresses world problems, and "Everytime" bears a sobering timbre that explores relationships' more stark realities. Conversely, the title track rings with a warm pop melody of hope, while "Closest Thing to Heaven" boasts dreamy, feel-good lyrics. As usual, the artist's music deftly blurs the boundaries between pop, R&B, and country music, underscoring Richie's award-winning universal creative approach. Still, one comes away with a hungry feeling, as if Richie has yet to regain his stride following his lengthy self-imposed recording exile.