ABUSE FORM
Led Zeppelin - Physical Graffiti [Audiophile japanese LP / AMJY-2005~6] 24-bit/96kHz & redbook format; requested repost
Posted By :
aksman
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Date :
08 Jan 2010 06:11:42
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Comments :
28
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Led Zeppelin - Physical Graffiti
Audiophile japanese LP / AMJY-2005~6
Mastered from the original analog master tapes
Vinyl rip in 24-bit/96 Khz & 16-bit/44.1 kHz | FLAC | m3u, Cue & Log
Artwork | 1.78 gb & 550 mb incl recovery | RS & FF | 1975 | Rock
Audiophile japanese LP / AMJY-2005~6
Mastered from the original analog master tapes
Vinyl rip in 24-bit/96 Khz & 16-bit/44.1 kHz | FLAC | m3u, Cue & Log
Artwork | 1.78 gb & 550 mb incl recovery | RS & FF | 1975 | Rock
Allmusic.com rating: 5 out of 5 Stars
| “ | Yes, some of this could be labeled as filler, but like any great double album, its appeal lies in its great sprawl, since it captures elements of the band's personality rarely showcased elsewhere — and even at its worst, Physical Graffiti towers above its hard rock peers of the mid-'70s. - Stephen Thomas Erlewine/AMG | ” |
IMO the best version you can get... The sound is more on the bright side but it offers much more details than other versions. Checkout also the comments on my previous post of this record.
Physical Graffiti is the sixth album by the English rock band Led Zeppelin. It is a double album which was released on 24 February 1975. Recording sessions for the album were initially disrupted when John Paul Jones considered leaving the band. After reuniting at Headley Grange, the band wrote and recorded eight songs, the combined length of which stretched the album beyond the typical length of an LP. This prompted the band to make Physical Graffiti a double album by including previously unreleased tracks from earlier recording sessions.
Physical Graffiti was commercially and critically successful; the album is 16 times platinum (though this only signifies sales of 8 million copies, as it is a double album) in the United States alone, and has come to be regarded as one of Led Zeppelin's defining works. In 2003, the album was ranked number 70 on Rolling Stone magazine's list of the 500 greatest albums of all time. The album was also ranked number 95 on Pitchfork Media's list of the Top 100 Albums of the 1970s.
Track listing
All songs written and composed by Jimmy Page and Robert Plant, except where noted.
Side One
- 1. "Custard Pie" 4:13
2. "The Rover" 5:37
3. "In My Time of Dying" (Page, Plant, John Paul Jones, John Bonham) 11:05
Side Two
- 1. "Houses of the Holy" 4:02
2. "Trampled Under Foot" (Page, Plant, Jones) 5:37
3. "Kashmir" (Page, Plant, Bonham) 8:32
Side three:
- 1. "In the Light" (Page, Plant, Jones) 8:46
2. "Bron-Yr-Aur" (Page) 2:06
3. "Down by the Seaside" 5:13
4. "Ten Years Gone" 6:32
Side four:
- 1. "Night Flight" (Jones, Page, Plant) 3:36
2. "The Wanton Song" 4:07
3. "Boogie with Stu" (Bonham, Jones, Page, Plant, Ian Stewart, Mrs. Valens) 3:53
4. "Black Country Woman" 4:24
5. "Sick Again" 4:42
# Some cassette versions of the album place "Bron-Yr-Aur" immediately after "Kashmir", presumably to make each side of the cassette last approximately the same amount of time.
# The running times listed for "Kashmir" and "Ten Years Gone" on original LP pressings of the album were significantly in error; "Kashmir" was listed at 9:41, "Ten Years Gone" at 6:55.
# "Boogie with Stu" is credited to "Mrs. Valens, mother of Ritchie Valens". The credit came about after the band had heard Valens' mother never received any royalties from any of her son's hits.
Personnel
Led Zeppelin
- * John Bonham – drums, percussion
* John Paul Jones – bass guitar, organ, piano, electric piano, Mellotron, guitar, mandolin, VCS3 synthesizer
* Jimmy Page – acoustic and electric guitars, mandolin, production
* Robert Plant – harmonica, vocals, acoustic guitar on "Boogie with Stu"
Additional personnel
* Ian Stewart – piano on "Boogie with Stu"
* George Chkiantz – engineering
* Peter Corriston – artwork, design, cover design
* Mike Doud – artwork, design, cover design
* Elliot Erwitt – photography
* B. P. Fallon – photography
* Peter Grant – producer, executive producer
* Roy Harper – photography
* Keith Harwood – engineering, mixing
* Dave Heffernan – illustrations
* Andy Johns – engineering
* Eddie Kramer – engineering, mixing
* Ron Nevison – engineering
Links: (24-bit/96kHz & Artwork) (File Factory) Part 1 | Part 2 | Part 3 | Part 4
Part 5 | Part 6 | Part 7 | Part 8 | Part 9
Part 5 | Part 6 | Part 7 | Part 8 | Part 9
Links: (24-bit/96kHz & Artwork) (RS.com) Part 1 | Part 2 | Part 3 | Part 4
Part 5 | Part 6 | Part 7 | Part 8 | Part 9
Part 5 | Part 6 | Part 7 | Part 8 | Part 9
Links: (16-bit/44.1kHz & Artwork) (File Factory) Part 1 | Part 2 | Part 3 ------ (RS.com) Part 1 | Part 2 | Part 3
Pass: pls use my nick
The archives are interchangeable!
Enjoy!!!
Pass: pls use my nick
The archives are interchangeable!
Enjoy!!!
Check my blog for more audiophile stuff.
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Reapload plese this - Led Zeppelin - 3 [early japanese Pressing (~1972) / P-10106 A] 24-bit/96kHz
Thanks
You not using them anymore?
Guess I'm out of luck on this one and some of your more recent posts. (Already have RS and Megaupload)
Thanks for all the music you have shared with us, we are all the better for it.
Anyway, thanks for your hard work aksman. Is hotfile an option for you?
Links will be completeted, but be patient it takes a while due I'm not at home for one week
Reason: This file is forbidden to be shared.
Please, new part8 (del).
For what it's worth, since any file can be deleted, hotfile has never given me this "no slots available" junk the way FF does. I'm not complaining, just saying I think hotfile is a better service than File Factory.
As far as renaming files, avax is SO popular (and you don't even have to join to see the links) I doubt there's any way to stop a determined deleter from reporting links. I don't think links get deleted by some random search bot.
As always, thank you aksman and ALL hi-rez uploaders!
}---:)
can you reupload thisone?
Thank you
Do you thing about changing your nick.
I think someone looking for your posts to
delete them.
any chance of using hotfile?
thanks
amk
The good news is I have these original RAR's still on my hard drive (and the ones for LZ II & III). I have changed the MD5 Checksum and I am uploading to RS and Hot File Now. Check back here later.
Just a mistyped link... It is fixed now!
As a sonic FYI, my view is that while the added detail on this version is interesting, it's got too much high end (and too little bass) for pleasurable extended listening. It just sounds too thin compared to the other available audiophile versions.
Not a criticism of aksman of course - as usual his ripping/needledrop work is pristine!