Milos Forman-Lásky jedné plavovlásky ('Loves of a Blonde') (1965)

With sixteen women to each man, the odds are against Andula in her desperate search for love-that is, until a rakish piano player visits her small factory town and temporarily eases her longings. A tender and humorous look at Andula's journey, from the first pangs of romance to its inevitable disappointments, Loves of a Blonde (Lásky jedné plavovlásky) immediately became a classic of the Czech New Wave and earned Milos Forman the first of his Academy Award nominations. (-DVD cover)



A working-class young woman (Andula) in a hick Czech town sleeps with one of the band members of a group from Prague. "You are a Mondrian, not a Picasso," he tells her. When she doesn't hear from him again, she packs up and arrives on his doorstep in the big city, throwing his household (he lives with his parents) into chaos. (http://imdb.com/title/tt0059415/plotsummary)



LOVES OF A BLONDE is a bittersweet comedy, in fact less sweet than bitter, relating the anxieties of the young women of an industrial small town. These girls are desperately looking for the man of their dreams while the male population of the town doesn't exceed the tenth of the female number. (amazon.com)



So when Andula is seduced by the pianist of a Praguan band and is invited to come to his place if she ever comes to the Czechoslovakian capital, she doesn't hesitate. Needless to say that the pianist will be a little annoyed when Andula knocks at his parents's door in the middle of the night. (amazon.com)



French New Wave in technique but the humor is charmingly Czech in tone. Very touching, wise, and satisfying film from a filmmaker who exhibits a fondness for all his characters. No one escapes Formans lighthearted satire nor his empathy which embraces all forms of life, young and old. Remarkably light and poignant at the same time. Czech and Polish films of this period strike an irresistable chord and are some of the most irresistable films ever made. (amazon.com)











Links to previous movie posts:

From 1# to 170# please refer to page :
170 Michelangelo Antonioni-Identificazione di una donna (1982)

171 Erick Zonca-La Vie rêvée des anges (1998)
172 Miklós Jancsó-Még kér a nép ('Red Psalm') (1972)
173 F.W. Murnau-Nosferatu, eine Symphonie des Grauens (1922)
174 Werner Herzog-Nosferatu, Phantom der Nacht (1979)
175 Peter Greenaway-The Cook, The Thief, His Wife & Her Lover (1989)
176 Yasujiro Ozu-Tokyo monogatari ('Tokyo Story') (1953)
177 Abbas Kiarostami-Ta'm e guilass ('Taste of Cherry') (1997)
178 Bertrand Bonello-Le Pornographe (2001)
179 François Truffaut-L'Homme qui aimait les femmes (1977)
180 György Pálfi-Hukkle (2002)
181 Gillo Pontecorvo-La Battaglia di Algeri (1966)
182 Paolo e Vittorio Taviani-La Notte di San Lorenzo (1982)
183 Aleksandr Dovzhenko-Arsenal (1928)
184 Béla Tarr-Werckmeister harmóniák (2000)
185 Jean-Claude Lauzon - Léolo (1992)
186 Otar Iosseliani-Pastorali (1975)
187 Chris Marker-Sans soleil (1982)
188 Krzysztof Kieslowski-Dekalog 4 (1988)
189 Krzysztof Kieslowski-Dekalog 7 (1988)
190 Krzysztof Kieslowski-Dekalog 8 (1988)
191 Krzysztof Kieslowski-Dekalog 9 (1988)
192 Krzysztof Kieslowski-Dekalog 10 (1988)
193 Robert Bresson-Lancelot du Lac (1974)
194 Tsai Ming-liang - Ch'ing shaonien na cha ('Rebels of the Neon God') (1992)
195 Nuri Bilge Ceylan-Iklimler ('Climates') (2006)
196 Jean-Luc Godard - Soigne ta droite (1986)
197 Milos Forman-Lásky jedné plavovlásky ('Loves of a Blonde') (1965)