Nome Próprio aka Camila JAM [2008]

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It is a film about Camila's passion and her effort to support it. It’s about how her character faces the abyss, and what she gets from it is her strength to exist. It tries to represent the subject of abandonment in its complexity. It seeks a character without history, therefore what happens to her, doesn’t really matter. Capturing Camila in her movement is what really matters: living in her time, taking responsibility for her choices, suffering her distress, her contradictions, giving herself. With Camila, we want to look at a brave and complex woman, capable of throwing herself from a cliff and developing from this journey the support she needs to exist. We want to subtract any epic meaning from her existence, and remove any traces of it from the film’s narrative. Thus creating a time in which the moral content doesn’t matter. Moral is impregnated in the being [not in the narrative]. Moral blossoms from the scars originated in her process of giving herself absolutely, and vertiginously. Camila is radical and consciously alone. She has no past and doesn’t want to know her future. The only thing that matters is her path. The act of writing is her identity. It is a film about Camila’s quest for redemption, obsessively building and destroying herself. Lonely. Her unconditional quest is for affection, for intimacy. This existential experience incarnates her body. @ figafilms.com

”

Cast
Leandra Leal - Camila
Juliano Cazarré - Felipe
Rosane Mulholland – Paula
Alex Disdier - Henri
Milhem Cortaz – Locador
David Cejkinski – Guilherme
Luciana Brites – Aurora
Munir Kanaan - Marcio

Crew
Director – Murilo Salles
Screenplay - Elena Soarez, Melanie Dimantas,
Murilo Salles
Based on original book “The Pinball Machine” –
Clarah Averbuck
Executive Producers - Flávio Frederico
Co Producer - Suzana Villas Boas, Lionel Combecau
Production Company – Cinema Brasil Digital
Director of Photography - Fernanda Riscali, Murilo Salles
Art Director - Pedro Paulo Souza
Sound Director - Virginia Flôres
Film Editor - Vânia Debs
Music - Sacha Amback
North American Distribution & Sales – FiGa Films.

About the Director
Murilo Salles made his directorial debut in 1984 with Happier Than Ever (Nunca Fomos Tão Felizes), awarded Best Film at the Brasilia, Gramado, and Locarno Film Festivals, and in the Official Competition of a Certain Regard at the Cannes Film Festival. Also directed the acclaimed Two Edged Knife (Faca de Dois Gumes), awarded Best Director at Gramado; Two Billion Hearts (Todos os Corações do Mundo), the official documentary of the 1994 World Cup; How Angels Are Born (Como Nascem os Anjos), again the top winner at the Brasilia, Gramado, Toulouse, and Huelva Film Festivals; Whatever God Wants (Seja o Que Deus Quiser), Best Film at the 2002 Moscow and Rio de Janeiro International Film Festivals; the TV series It’s You, Brazil (És Tu, Brasil), and Camila JAM (Nome Próprio), his latest, awarded Best Film, Best Actress and Best Art Direction at the 2008 Gramado Film Festival. Murilo also has an extensive career as a cinematographer, writer and producer.

Filmography
Camila JAM (Nome Próprio) (2008)
It’s You, Brazil (És Tu, Brasil) (2003) (TV)
Whatever God Wants (Seja o Que Deus Quiser) (2002)
How Angels Are Born (Como Nascem os Anjos) (1996)
Two Billion Hearts (Todos os Corações do Mundo) (1995)
Pornografia (1992)
Two Edged Knife (Faca de Dois Gumes) (1989)
Happier Than Ever (1984), aka Nunca Fomos Tão Felizes (1984)

Download
http://rapidshare.com/files/254431372/CamilaJam_NomeProprio_.part1.rar
http://rapidshare.com/files/254444741/CamilaJam_NomeProprio_.part2.rar
http://rapidshare.com/files/254460446/CamilaJam_NomeProprio_.part3.rar
http://rapidshare.com/files/254420649/CamilaJam_NomeProprio_.part4.rar

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